Here is the latest episode of our podcast, another panel presentation from the 2018 British Society for Phenomenology Annual Conference.
Season 3 episode 65: 21 June 2019
In this podcast episode Rhoda Ellis presents the paper ‘Being, the Gallery and Virtual Reality: An Artist’s Take on Building Immersive Artworks’. You can listen to this episode on the BSP’s Podbean site, and you can also find it on iTunes and all good podcasting apps by searching ‘BSP Podcast’.
Abstract: “Dreyfus was right when he told computer scientists they were wrong during the first wave of virtual reality (VR). While technology companies continue to turn to cold, hard, objective, neuroscience to ‘trick’ the body into a sense of immersion, the recent resurgence of VR has also seen a wider acknowledgment of the body and the increased prevalence of phenomenology in discussions about VR. We may no longer be dreaming that extropian dream in quite the same way anymore, but we’re making artworks in and for virtual reality with a-whole-new approach. Through practice-led research into the making, and recreating, of sculptural artworks, I have found it more meaningful to draw on the aesthetic tradition and art theory – from Heidegger, Merleau-Ponty and Benjamin, up to contemporary thinkers like Noë and Paterson. As a sculptor I work in 3D space, rather than as a 2D image maker, and have found aesthetics that relies too heavily on the visual has left me questioning. Here I focus on two of my artworks that were made with movement, touch and atmosphere very much in mind. Both were designed to be experienced in an art gallery setting, within all the traditions that entails, by interacting via the HTC Vive headset and moving within the artwork at life-scale. The mixed reality piece Being-in-the-Gallery explored embodiment of the immersive experience and the aura of the virtual art object – with the viewer-participant invited to touch an original sculpture while seeing it veiled in a virtual copy. In Virtual Halls I was commissioned to remake an artwork by the late video artist David Hall in VR, leading to questions of authenticity in the methodology, preservation and experience. The line of my argument shows the passage of my engagement with a number of philosophers and how they continue to influence my practise.”
The British Society for Phenomenology’s Annual Conference took place at the University of Kent, in Canterbury, UK during July, 2018. It gathered together philosophers, literary scholars, phenomenologists, and practitioners exploring phenomenological theory and its practical application. It covered a broad range of areas and issues including the arts, ethics, medical humanities, mental health, education, technology, feminism, politics and political governance, with contributions throwing a new light on both traditional phenomenological thinkers and the themes associated with classical phenomenology. More information about the conference can be found here.
Reminder:
Early bird
registration is now open for the British Society for Phenomenology’s 2019
Annual Conference. The conference is to be held in Manchester, UK, from
Thursday 5 – Saturday 7 September 2019. Early bird registration runs until
Wednesday 31 July 2019 (midnight BST). For more details – including keynote
speakers – see the BSP 2019 annual
conference homepage.